For someone who likes to portray himself as an iconoclast, it may seem strange for Bradley Wiggins to be involved in such a project. However his love for cycling, its history, protagonists, pageantry and traditions is well know and is an interesting angle to come at in thiswork. While he looks at riders from through the years who inspired him to take up what was an unfashionable sport in Britain at the time, it is part history lesson, part-autobiography.
It is well illustrated with items from his own collections, genuine jerseys worn by those who he writes about and with some interesting photos. Each rider has his own chapter (no room for Beryl Burton, which as Wiggins was essentially a time trialist who lost enough weight to stick with the climbers, is a big omission,although I suppose we can't define other folks heroes for them). The inclusion of Armstrong raised some hackles at the time but, on the flip side we can't say that the Texan didn't have an impact. Whether we like it or not he was a part of our history and it would be more dangerous to pretend he didn't exist and write him out totally. It is also where Wiggins (helped by Herbie Sykes) is able to reflect on his own experiences and how these are mirrored by the lives of the riders he is ostensibly discussing. This allows him to avoid having to deal with some of the more unsavoury episodes some of these people were involved in, normally using the formula "rider x had a difficult time on this Tour, which reminds me of when y happened to me".
In many cases Wiggins is very clear about how he liked winning the Tour but didn't like being a Tour winner, with all of the issues that caused him. There is also some insight into Froome's actions on that 2012 Tour, that while interesting, allow for more distractions away from things he may not want to talk about in regards his subjects.
In fact there are often entire chapters where the rider meant to be the topic of discussion is only mentioned at the start and the end, with the main section being about Wiggins himself. In effect this is almost an autobiography in disguise.
However the whole package does reflect the contradictions within Wiggins himself. On one hand he wants to present himself as the perennial outsider (being a cyclist from an early age, the influence of his father and mother, growing up in an age when soccer was the mainstay of sport), but on the other he still plays up the laddish persona that so many males adopt to try and fit in with some perceived notion of this is what men do. He even mentions that his favourite photo of all is Nencini having a cigarette after winning the Tour (never mind that Nencini died of cancer at 50)- the sort of stuff that really looks like someone trying hard to be cool, and as I mentioned in the beginning, an iconoclast (though how much of a laddish outsider you can be with the three letters "S", "I" and "R" in front of your name is up for debate). He wants to be seen at the centre of his sport in one way but also wants to retreat from this as well. No matter what persona he tries to adopt, this book appears to be Wiggins is still trying to find out who he is and while on the surface the main focus is supposedly on the other riders featured, behind it all is a man who is still tryign to shape an image that he can be comfortable in.
